Saturday, 23 May 2026

An excerpt from We Inherit the Fire by Kagiso Lesego Molope

 


It is a thing quite misunderstood in families, and I want to clear it up: the knowing of secrets, the keeping of them and being entrusted with them, is the very thing that breeds madness. Most people think it's just knowing that they exist without having a comprehensive knowledge of their details that drives you insane. They'll tell you it's being aware of the gaps in your family history that is the trauma, but it isn't, because filling in the gaps is putting together a puzzle- it's a sort of sport. Knowing the details is nothing like a game. It is the safeguarding, this arduous task that you don't get to choose, that has driven the women in our family mad- quite mad, in fact. Mad to the point of wishing we'd one day wake up as someone clean and shiny and brand new, with no knowledge of the things that fill the gaps. Wishing we'd forget our names altogether. 


Maybe what in fact happens is we lose our minds before we even know what it is we are to keep hidden. I think of this as I watch Oumama's laboured breathing. She was not well enough to leave the hospital, of course, but she does seem stronger, even if she now sleeps afternoons off in her own bed. I tuck a loose grey curl back under her headscarf. Hair: a secret. Perhaps the darkest one. Often the root of the darkest ones, at least. Often the beginning of how family stories start and families come apart, in this country. 

Sunday, 10 May 2026

Dernière Danse by Indila


Everything in our world is touched with the awareness of an ending

- Niq Mhlongo


 Ô ma douce souffrance

Pourquoi s'acharner ? Tu r'commences

Je n'suis qu'un être sans importance

Sans lui, je suis un peu paro je déambule seule dans l'métro

Une dernière danse

Pour oublier ma peine immense

Je veux m'enfuir que tout r'commence

Ô ma douce souffrance


J'remue le ciel, le jour, la nuit

Je danse avec le vent, la pluie

Un peu d'amour, un brin de miel

Et je danse, danse, danse, danse, danse, danse, danse

Et dans le bruit, je cours et j'ai peur

Est-ce mon tour ? Revient la douleur

Dans tout Paris, je m'abandonne

Et je m'envole, vole, vole, vole, vole, vole, vole


Que d'espérance

Sur ce chemin en ton absence

J'ai beau trimer, sans toi ma vie n'est qu'un décor qui brille

Vide de sens


Dans cette douce souffrance

Dont j'ai payé toutes les offenses

Écoute comme mon cœur est immense

Je suis une enfant du monde



Sunday, 3 May 2026

Swimming by the Pond by How Great Were the Robbins

It's a wonder tall trees ain't laying down 

- Neil Young


I. Not Here


It goes with wine

Swimming by the pond

Cold like ice

Frozen to the core

I left my mind

Standing by the clothes

Like salt now in water I dissolve


I know this feeling like I know my hands

Pours in my mind but can't fill my head

Wish I could yield my assertion forever

Reach me and deep down I swim


We'll be in tears till the winter ends

Till the last drop of water I dissolve


II. Not Now


Don't say goodbye like you are

Just human to my own very eyes

Like you are about to leave my life

I'm so one dimensional

No change in sight, a simple kind

Don't leave me behind

Not here, not now, it's not the time


To drown in this blue world

I know it's not the time

To drown in this blue world

I'll wait tomorrow

I know it's not the time

I'll wait tomorrow


Tomorrow

Don't say it's too hollow

You reach me and deep down I go

Reach me and deep down I go


I'll wait tomorrow (Not here)

I'll wait tomorrow (Not now)


Reach me and deep down I go

In the water

Sunday, 26 April 2026

Nothing else by Michael Benjamin

 " The reality is that men are hurting and that whole culture responds to them by saying, "Please do not tell us what you feel." 

- Bell Hooks

I found the key to the worry land

Unlock the door and I walk right in

I take a look, but I can't feel a thing


You found the key to the worried man

Unlock my heart, you walk right in

You take a look and make me want 

To feel again


I don't want nothing else 

I don't want nothing else but this


You pour a drink and I fuck up again

We talk shit, we fight, 

We don't mean it this time

Love can be so quiet at times


I still break shit, but I hate it

I've got my love stuck in a loop


Honey, I don't want nothing else

I don't want nothing else but you


I've got my love stuck in a you...

Again

Saturday, 18 April 2026

What The Water Gave Me

 

"But you will live in [Durban], where the ocean protects you" 

- Sello K. Duiker


On this side of the earth, inner silence rules the grey bays

Our lamentations, and despairs are lost to breaking waves

Immovable objects are other people, but we are the waters 

Waters that weave between their rigidity to our destinations

The ocean is calling to us, so we shush our protesting defeats

So we can hear our names mist and spray across Umhlanga 

We've broken ourselves against its rocks so our jagged edges

Gleam in the sunlight, rubbed to humility with humidity

The sand, the vehicle taking us towards the throat of the sea

The seat of our calling where algae cushions, seaweed garlands

The shock of our skin leaving it to form a crown of obsidian

The queens and rightful heirs of an inheritance of ocean

This mirror of surviving, of thriving at the very shorelines

Of our existences. We live. We live. We live. Bow down


Slipping my dress over my head, I draw myself even closer

Look back and see a woman resembling Ingrid Jonker

Wink at her acknowledging our shared plights and purposes

I'm risking the wet of life so that she does not have to

Defeating her drowning and turbulences to free her

The throne is missing a jewel, the love we both carry

Ruling over a yawning adulthood, the work has only just begun


Friday, 10 April 2026

An excerpt from No Safer Kinder Hatred by Frank Thabani Sayi

But it was inevitable that we would develop relationships with soldiers. Girls fell in love with them too. Besides, how could they say no to men of violence, who forcefully took what they wanted? Casper, the light-skinned soldier who'd first spoken to me on that fateful night, would sometimes visit me with Chico, his pet monkey. His platoon had established their base camp next to the water reservoir and from there infiltrated deeper into isolated villages. Work on our village had been completed. We patiently waited for those kidnapped to come back, however deformed. 

I got up at dawn just to see Casper's platoon set off, his camouflage shirt neatly folded above the elbows, his combat trousers tucked inside his boots, and the laces on his boots pulled tight. It was as if all body parts had been reassembled, harnessed, and set in motion. Arms swung, and legs moved at the same pace. 

They sang in beautiful soldierly voices, as if the songs would somehow ameliorate the bitterness of war and assign, in its place, new beginnings. They killed to a rhythm; the song galvanized effort, ironed out the clumsiness of the blows, added purpose to mindless killing work, and absolved their conscience. 

Through song they did work that they had to do diligently. They smoked human beings like wild game; they pruned, cut, and splayed bodies open, as if working in a cane field. Inside the war song, terror was reconfigured and passed on. 

The songs would echo long after they'd gone. 

Amai nababa, musandicheme,

kana ndafa, nehondo,

Ndini ndakazwipira kurwira Zimbabwe, 

Kana ndafa, nehondo

Casper's machine gun pointed ahead menacingly. But Chico, alert on his right shoulder, was a much better hunter of people. When he found them hiding in their lairs, he sought them out, bared his teeth, and remonstrated with them till they came out. And when they came back from their patrols, Casper sought me out. Sometimes I would be out in the forest looking after our animals. Somehow, he always managed to find me. Together we entered inside the shade of the tree whose branches swept the ground. From the outside, you could not see inside. Mostly, he wanted to know what had been going on. But I didn't ask where he'd been; I already knew. 

Casper fell asleep with his left hand clutching the belt of bullets that fed into his machine gun. I studied all of him, right down to his giant fingers. And I watched him breathe-in, out, in, out. His chest rose and fell. Under his spell, I felt very small, irrelevant. I prayed for myself to grow quicker: if every man in our village was a liar and a coward, I dreamed of becoming a remorseless killer, because there was so much power invested in the gun. 

He was amiable and kind. When he played with Chico, when he relaxed, he folded his camouflage trousers just below the knee. Every so often, he removed his bayonet from its scabbard, looked at it, only to replace it without saying a word. But I noticed a pattern- whatever I disclosed to him determined what happened next. So I had to be extremely careful with my words. 

On the surface of things, he appeared to enjoy my company. But I was thirteen years old; I had no idea why. Perhaps I was the only source of intimacy he had. Inside the madness of war, intimacy was the most persistent of longings. It was inside forbidden tenderness that we knew that we hadn't lost everything. What happened between us stayed under the solitude of the tree. Afterwards, it was hard to feel places in my body with raw nerve endings. Everything felt numb like an overused arm that was no longer part of me. 

Sometimes, I tried to figure out who he really was, but of what use would it be to know the full extent of his monstrosity beyond what I already knew? I could also see, in small glimpses, that he longed for peace, but I didn't ask him to account for the heaviness on his shoulders. When he drifted into a deep sleep, he slept like an ordinary man and not a killer. It was as if he walked through an invisible door, beyond which no sound could reach him. There was something remarkable about his kind of tiredness. 

Chico sat above us in the canopy of the tree, fastened to a leash that was tied to a branch. He, too, was tethered to the violence. He came down, sat right next to me. We shared his monkey nuts from a small pouch attached to Casper's ration pack. He fell into fits of agitation. He pulled and rattled the bullets and jumped on the tree branches above us, causing a fracas to Casper's consternation. It took time for Chico to calm down. When his fit of rage was over, he came back down. Between us three there was a connection. Perhaps I, too, possessed the power to hurt, maim, and kill. 

'He goes mad for no reason. One day I'll let him go, but where will he go when I release him?' Casper said. I did not know what Chico had witnessed. After everything that had happened, I could never afford to fully trust men like Casper. In war, no bond was sacred, every relationship was contingent upon prevailing circumstances. It was all about survival. 

Inside, I felt isolated; I had witnessed, first-hand, the powerlessness of the adult world. 

But, looking back as an adult, I could not say- hand on heart- that Casper had coerced me into doing anything. Or that he molested or sexually abused me. Somehow, it felt as though subconsciously I had willed for it to happen. But I also felt a deep sense of shame because silence in war is a double bind; it protects as it betrays: how could I avoid betraying others, when betrayal meant protecting myself and those closest to me? Conversely, to what does a thirteen-year-old boy consent under duress? Because consent implies freedom of choice, and a full understanding of that to which one is consenting. But the silence-mine, the adults', and the state's- was a kind of wounding too. And, even after all these years, it is still hard for me to think that I was a brave little boy who risked everything just to survive. 

After the whirr of the helicopters and the distant rumble of the machine guns had ceased, everything stood still- sky, trees, homes burned out hollow. Nearby, donkeys took a dust bath and afterwards retreated under the meagre shade of the mopane tree. Even that momentary peace seemed fabricated. 

Window Seat by Erykah Badu

 

They play it safe, are quick to assassinate what they do not understand. They move in packs ingesting more and more fear with every act of hate on one another. They feel most comfortable in groups, less guilt to swallow. They are us. This is what we have become. Afraid to respect the individual. A single person within a circumstance can move one to change. To love herself. To evolve

- Erykah Badu


Fell in love


So, presently I'm standing

Here right now, you're so demanding

Tell me what you want from me

Concluding, concentrating on my music, lover, and my babies

Make me wanna ask a lady for a ticket outta town


So can I get a window seat?

Don't want nobody next to me

I just want a ticket outta town

A look around and a safe touch down

Can I get a window seat? 

Don't want nobody next to me

I just want a chance to fly

A chance to cry, and a long bye-bye


But I, I need you to want me

I need you to miss me

I, I need yo' attention, yes

I need you next to me

Oh I, I need someone to clap for me 

I need your direction


Somebody say come back

Come back, baby, come back

I want you to need me


So, out my mind I'm tusslin'

Back and forth 'tween here and hustlin'

I don't wanna time travel no mo'

I wanna be here, my thinkin'

Say, on this porch I'm rockin'

Back and forth like Lightnin' Hopkins

So if anybody speak to Scotty

Tell him, "Beam me up!"