The becoming of Lebogang Moeketsi
Saturday, 6 June 2026
An excerpt from Spy: Uncovering Craig Williamson
Saturday, 23 May 2026
An excerpt from We Inherit the Fire by Kagiso Lesego Molope
It is a thing quite misunderstood in families, and I want to clear it up: the knowing of secrets, the keeping of them and being entrusted with them, is the very thing that breeds madness. Most people think it's just knowing that they exist without having a comprehensive knowledge of their details that drives you insane. They'll tell you it's being aware of the gaps in your family history that is the trauma, but it isn't, because filling in the gaps is putting together a puzzle- it's a sort of sport. Knowing the details is nothing like a game. It is the safeguarding, this arduous task that you don't get to choose, that has driven the women in our family mad- quite mad, in fact. Mad to the point of wishing we'd one day wake up as someone clean and shiny and brand new, with no knowledge of the things that fill the gaps. Wishing we'd forget our names altogether.
Maybe what in fact happens is we lose our minds before we even know what it is we are to keep hidden. I think of this as I watch Oumama's laboured breathing. She was not well enough to leave the hospital, of course, but she does seem stronger, even if she now sleeps afternoons off in her own bed. I tuck a loose grey curl back under her headscarf. Hair: a secret. Perhaps the darkest one. Often the root of the darkest ones, at least. Often the beginning of how family stories start and families come apart, in this country.
Sunday, 10 May 2026
Dernière Danse by Indila
Everything in our world is touched with the awareness of an ending
- Niq Mhlongo
Ô ma douce souffrance
Pourquoi s'acharner ? Tu r'commences
Je n'suis qu'un être sans importance
Sans lui, je suis un peu paro je déambule seule dans l'métro
Une dernière danse
Pour oublier ma peine immense
Je veux m'enfuir que tout r'commence
Ô ma douce souffrance
J'remue le ciel, le jour, la nuit
Je danse avec le vent, la pluie
Un peu d'amour, un brin de miel
Et je danse, danse, danse, danse, danse, danse, danse
Et dans le bruit, je cours et j'ai peur
Est-ce mon tour ? Revient la douleur
Dans tout Paris, je m'abandonne
Et je m'envole, vole, vole, vole, vole, vole, vole
Que d'espérance
Sur ce chemin en ton absence
J'ai beau trimer, sans toi ma vie n'est qu'un décor qui brille
Vide de sens
Dans cette douce souffrance
Dont j'ai payé toutes les offenses
Écoute comme mon cœur est immense
Je suis une enfant du monde
Sunday, 3 May 2026
Swimming by the Pond by How Great Were the Robbins
It's a wonder tall trees ain't laying down
- Neil Young
I. Not Here
It goes with wine
Swimming by the pond
Cold like ice
Frozen to the core
I left my mind
Standing by the clothes
Like salt now in water I dissolve
I know this feeling like I know my hands
Pours in my mind but can't fill my head
Wish I could yield my assertion forever
Reach me and deep down I swim
We'll be in tears till the winter ends
Till the last drop of water I dissolve
II. Not Now
Don't say goodbye like you are
Just human to my own very eyes
Like you are about to leave my life
I'm so one dimensional
No change in sight, a simple kind
Don't leave me behind
Not here, not now, it's not the time
To drown in this blue world
I know it's not the time
To drown in this blue world
I'll wait tomorrow
I know it's not the time
I'll wait tomorrow
Tomorrow
Don't say it's too hollow
You reach me and deep down I go
Reach me and deep down I go
I'll wait tomorrow (Not here)
I'll wait tomorrow (Not now)
Reach me and deep down I go
In the water
Sunday, 26 April 2026
Nothing else by Michael Benjamin
" The reality is that men are hurting and that whole culture responds to them by saying, "Please do not tell us what you feel."
- Bell Hooks
I found the key to the worry land
Unlock the door and I walk right in
I take a look, but I can't feel a thing
You found the key to the worried man
Unlock my heart, you walk right in
You take a look and make me want
To feel again
I don't want nothing else
I don't want nothing else but this
You pour a drink and I fuck up again
We talk shit, we fight,
We don't mean it this time
Love can be so quiet at times
I still break shit, but I hate it
I've got my love stuck in a loop
Honey, I don't want nothing else
I don't want nothing else but you
I've got my love stuck in a you...
Again
Saturday, 18 April 2026
What The Water Gave Me
"But you will live in [Durban], where the ocean protects you"
- Sello K. Duiker
On this side of the earth, inner silence rules the grey bays
Our lamentations, and despairs are lost to breaking waves
Immovable objects are other people, but we are the waters
Waters that weave between their rigidity to our destinations
The ocean is calling to us, so we shush our protesting defeats
So we can hear our names mist and spray across Umhlanga
We've broken ourselves against its rocks so our jagged edges
Gleam in the sunlight, rubbed to humility with humidity
The sand, the vehicle taking us towards the throat of the sea
The seat of our calling where algae cushions, seaweed garlands
The shock of our skin leaving it to form a crown of obsidian
The queens and rightful heirs of an inheritance of ocean
This mirror of surviving, of thriving at the very shorelines
Of our existences. We live. We live. We live. Bow down
Slipping my dress over my head, I draw myself even closer
Look back and see a woman resembling Ingrid Jonker
Wink at her acknowledging our shared plights and purposes
I'm risking the wet of life so that she does not have to
Defeating her drowning and turbulences to free her
The throne is missing a jewel, the love we both carry
Ruling over a yawning adulthood, the work has only just begun
Friday, 10 April 2026
An excerpt from No Safer Kinder Hatred by Frank Thabani Sayi
But it was inevitable that we would develop relationships with soldiers. Girls fell in love with them too. Besides, how could they say no to men of violence, who forcefully took what they wanted? Casper, the light-skinned soldier who'd first spoken to me on that fateful night, would sometimes visit me with Chico, his pet monkey. His platoon had established their base camp next to the water reservoir and from there infiltrated deeper into isolated villages. Work on our village had been completed. We patiently waited for those kidnapped to come back, however deformed.
I got up at dawn just to see Casper's platoon set off, his camouflage shirt neatly folded above the elbows, his combat trousers tucked inside his boots, and the laces on his boots pulled tight. It was as if all body parts had been reassembled, harnessed, and set in motion. Arms swung, and legs moved at the same pace.
They sang in beautiful soldierly voices, as if the songs would somehow ameliorate the bitterness of war and assign, in its place, new beginnings. They killed to a rhythm; the song galvanized effort, ironed out the clumsiness of the blows, added purpose to mindless killing work, and absolved their conscience.
Through song they did work that they had to do diligently. They smoked human beings like wild game; they pruned, cut, and splayed bodies open, as if working in a cane field. Inside the war song, terror was reconfigured and passed on.
The songs would echo long after they'd gone.
Amai nababa, musandicheme,
kana ndafa, nehondo,
Ndini ndakazwipira kurwira Zimbabwe,
Kana ndafa, nehondo
Casper's machine gun pointed ahead menacingly. But Chico, alert on his right shoulder, was a much better hunter of people. When he found them hiding in their lairs, he sought them out, bared his teeth, and remonstrated with them till they came out. And when they came back from their patrols, Casper sought me out. Sometimes I would be out in the forest looking after our animals. Somehow, he always managed to find me. Together we entered inside the shade of the tree whose branches swept the ground. From the outside, you could not see inside. Mostly, he wanted to know what had been going on. But I didn't ask where he'd been; I already knew.
Casper fell asleep with his left hand clutching the belt of bullets that fed into his machine gun. I studied all of him, right down to his giant fingers. And I watched him breathe-in, out, in, out. His chest rose and fell. Under his spell, I felt very small, irrelevant. I prayed for myself to grow quicker: if every man in our village was a liar and a coward, I dreamed of becoming a remorseless killer, because there was so much power invested in the gun.
He was amiable and kind. When he played with Chico, when he relaxed, he folded his camouflage trousers just below the knee. Every so often, he removed his bayonet from its scabbard, looked at it, only to replace it without saying a word. But I noticed a pattern- whatever I disclosed to him determined what happened next. So I had to be extremely careful with my words.
On the surface of things, he appeared to enjoy my company. But I was thirteen years old; I had no idea why. Perhaps I was the only source of intimacy he had. Inside the madness of war, intimacy was the most persistent of longings. It was inside forbidden tenderness that we knew that we hadn't lost everything. What happened between us stayed under the solitude of the tree. Afterwards, it was hard to feel places in my body with raw nerve endings. Everything felt numb like an overused arm that was no longer part of me.
Sometimes, I tried to figure out who he really was, but of what use would it be to know the full extent of his monstrosity beyond what I already knew? I could also see, in small glimpses, that he longed for peace, but I didn't ask him to account for the heaviness on his shoulders. When he drifted into a deep sleep, he slept like an ordinary man and not a killer. It was as if he walked through an invisible door, beyond which no sound could reach him. There was something remarkable about his kind of tiredness.
Chico sat above us in the canopy of the tree, fastened to a leash that was tied to a branch. He, too, was tethered to the violence. He came down, sat right next to me. We shared his monkey nuts from a small pouch attached to Casper's ration pack. He fell into fits of agitation. He pulled and rattled the bullets and jumped on the tree branches above us, causing a fracas to Casper's consternation. It took time for Chico to calm down. When his fit of rage was over, he came back down. Between us three there was a connection. Perhaps I, too, possessed the power to hurt, maim, and kill.
'He goes mad for no reason. One day I'll let him go, but where will he go when I release him?' Casper said. I did not know what Chico had witnessed. After everything that had happened, I could never afford to fully trust men like Casper. In war, no bond was sacred, every relationship was contingent upon prevailing circumstances. It was all about survival.
Inside, I felt isolated; I had witnessed, first-hand, the powerlessness of the adult world.
But, looking back as an adult, I could not say- hand on heart- that Casper had coerced me into doing anything. Or that he molested or sexually abused me. Somehow, it felt as though subconsciously I had willed for it to happen. But I also felt a deep sense of shame because silence in war is a double bind; it protects as it betrays: how could I avoid betraying others, when betrayal meant protecting myself and those closest to me? Conversely, to what does a thirteen-year-old boy consent under duress? Because consent implies freedom of choice, and a full understanding of that to which one is consenting. But the silence-mine, the adults', and the state's- was a kind of wounding too. And, even after all these years, it is still hard for me to think that I was a brave little boy who risked everything just to survive.
After the whirr of the helicopters and the distant rumble of the machine guns had ceased, everything stood still- sky, trees, homes burned out hollow. Nearby, donkeys took a dust bath and afterwards retreated under the meagre shade of the mopane tree. Even that momentary peace seemed fabricated.