Monday, 31 March 2025
An excerpt from Dream Count by Chimananda Ngozi Adichie
Sunday, 30 March 2025
Praise the Lord for all dead things by Ama Ata Aidoo
First course:
Cream of asparagus soup
Thirty months in an aluminium
Tin
Second course:
Chicken moritus under
Pre-mixed curry from
Shepherds Bush
And since we are learning to take
Desserts- true mark of a leisured class
canned prunes
canned pears
canned apples
Apricots
Cherries
Brother,
The internal logic is super-cool
The only way to end up a culture vulture
Is to feed on carrion all the way
You cannot achieve the moribund objectives of a dangerous education by using living forces
Therefore, since
'Ghosts know their numbers,'
Dr. Intellectual Stillborn
-with perfect reason-
Can break his neck to recruit
Academic corpses of Europe
Wraith-like with age or
Just plain common
Sunday, 23 February 2025
Red Moon
What do you know about rolling in the deep?
Masked Astronaut
I'm hoping that now that I have unlocked this anger
That has wrapped its serpentine and lithe essence
Around the fist that is my heart, it's damp and musky lair
With the tail rattling at the very thought of your name
My tongue has become forked with the tangled lies
Growing from the roof of my mouth, pointy stalactites
Of great lengths vining their way towards a soft tongue
Recoiling into a swallow and a blocked passageway
Torturing my taste buds with the threat of piercing
A confession: I have half-truths stuck between my teeth
Making onlookers uncomfortable when I smile
The two Ivorian incisors as pillars keeping reality shelved
My splitting spitting tongue red with smouldering rage
A flare of nostrils when my betraying brain airs the carpet
And memories of you rise in the beam of the light
Suspended brilliantly before remembering their weight
With a thud, they land on the floor of my psychology
Like the elephant in the room felled by a poacher
Lifeless, on its side, I cover it with the clean rug
Wondering what Exupery's children would draw now
The slackening anger unfurls its fingers on my vitals
And its heat rises painting walls and windows copper red
Bloodshot eyes; as the sleep I've missed goes on a bender
Waterboarding my soul, being questioned but it doesn't talk
I've lain awake keeping the sun from setting on your name
A vigil of love, I still pray for you, and your dreams
The blood churns and breaches strongholds and progress
All seven steps of grief are rearranged like a Picasso
Square one is a puddle of emotion, a Rorschach inkblot
Losing its edges but retaining its sharpness, a test
But my emotions have forgotten their names, I fail
In the heterogeneity of melee, the red is freshly dyed
This is anger's last gasp numbing my arms in pain
Does this anger not yet know who I am? It has failed
Undulating my body within my phone's range of hearing
I fish for the words with my teeth tossing them into a text
Alexa! And my digital companion delivers on its promises
The screen brightens, you always respond to a text with a call
I cough out bloody phlegm on my sheets, sthandwa sam' you say
I sob and the red moon once again adorns the shade of its summer
Tuesday, 11 February 2025
The Greatest Love
Nothing exists but you and I/ And if we two be not/ Then God is no more God/ And down must fall the sky
- Angelus Silesius
The demons sought to dispose of your sorry heart
Still being precious, they put it up for auction
Brittle for being broken, it didn't transport well
Sorcerers, the world over, scrambled for the pieces
They knew I would come looking for you
Hearing rustling in the wind of our great love
Relying heavily on the degree of dispersion
As further discouragement to an aggrieved heart
It became the athletic tape holding tendons together
Keeping sternum and spine upright in purpose
Like the rod of Moses in hand, not on the ground
And the voice without words offering direction
The sweat of my brow condensated into clouds
With the downpour, a portent of an unwelcome arrival
Heard my resolute footfall on the stairs of the world
Turned to Vulcan for reinforcement to temper my will
Pieces of him found in glass cases within red rooms
Indecent displays of wealth, conquests and spoils
Ordering the sand in the glass back to the sea
The reflective surface disappeared with its allure
Then there were impenetrable cryptographic safes
Pythagoras and Aryabhata took back their inventions
The primes were gone and so were their music
Only sound heard is the click and creaking of the door
One occasion boasted of a three-headed guard dog
Descendant of Fluffy with bone crushing jaws
The music returned in the form of flutes playing
Lulling the dogs to sleep, putting jaws out of service
They speak of a work ethic labouring for a few pennies
This labour of love is my magnum opus in the oeuvre
The work that speaks for itself in itself against all that has
Sought and sometimes succeeded to hurt me in my heaven
Taking on a new name, inaugurated as The Greatest Love
My sermon on the mount, ministering to the hearts of all
Men by redeeming this one as though it were the only one
This heart precious beyond estimation broken on a rock
Imbokodo: When the strength and might of a woman
Parallels the abject humiliation of a good man trying
I'll stand by you, even in hand-cutting smithereens
Caloused hand not heart, I'll hold you ever so close
Reduced to the grains of dust from whence you came
With drops of water, I'll thicken and substantiate you
Offer you back a rib to refashion yourself out of and a
Loving word cleaning out the desert sands from your ears
Wednesday, 5 February 2025
When the Lord Restores by Catherine Feeny
Life cannot be repaired, it can only be recreated through symbolic repetition of the cosmogony, for, as we have said, the cosmogony is the paradigmatic model for all creation.
- Mircea Eliade
When the Lord restores the fortunes of Zion
We are like those who dream
Our mouths are filled with laughter
Our tongues with songs of joy
It will be said among the nations
Yah has done great things for us
He has done great things for us
And we are filled with joy
Restore our fortunes Lord
Live streams in the Negev
Those who sow in tears
Will reap with songs of joy
Those who go out weeping
Carrying seeds to sow
Will return, with songs of joy
Carrying sheaths with them
Wednesday, 29 January 2025
The Hero Alive in Me
Heroism is a word we only use at the graveside
- Mahmoud Darwish
I stare at my body in the mirror looking for signs of heroism
Muscle tissue filled with water, and glycogen, poverty conquered
But who can say for sure? For tomorrow? Such are wars of attrition
Relying on favourable economic conditions, and the strength of the Rand
Does the adequate fulfilling of macros make me a hero? The striving?
Would kwashiorkor tremble at the sound of my name? The thriving?
Or look me up and down with a scorching disdain and in reproach
Ask me what I would know about hunger? One dollar a day, a living
I stare at my body in the mirror looking for signs of heroism
There are dark bite sized marks on every part of the landscape
Of somnolent one-sided battles with ravenous mosquitoes
I sleep as though going on nightly vacation in Death Valley
Having their fill without so much as a swiping hand in disturbance
Ectoparasites that have wreaked havoc in the name of malaria
Am I a hero for having survived the African summer nights
That the taste of my blood is umami and gorge they must
Can a reluctant donor of blood to the ecosystem be a hero?
Is there not a special place in hell reserved for cheerless givers
As it has been written, so with little and then with much as well
I stare at my body in the mirror looking for signs of heroism
I see a temple but there are many men sipping whiskey in the lobby
Is it heroism that none have made it into the holy of holies
Or am I implicated for atrium like glass that men can see through
Can an intombi endala speak for heroism or are the stretch marks
Of women who have carried another human to term the zips to shut me up
For good. Have my nipples turned to nails for having never lactated milk
Am I disqualified as a nurturing and nourishing hero although willing?
I stare at my body in the mirror looking for signs of heroism
I bear no signs of violation, an absence of a sign as a sign
I don't have rope lines around my neck from being hung from a tree
A noose of untidy and loose ends: Tshegofatso Pule
My limbs are still intact; parts of me cannot be found in a freezer
Once torn apart and opened, please refrigerate: Tshepang Pitse
Or the clue for my disappearance has been a missing bathtub
Earthworms have no need for Palmolive: Noluvuyo Ndema- Nonkwelo
Or have four bullet holes through which you can see bathroom tiles
Every day is for the thief, and the murderer: Reeva Steenkamp
Where love can be lethal, am I a hero for loving still, in spite of
For holding out hope for a masculinity with a different qualifier?
I stare at my body in the mirror looking for signs of heroism
And feel the G-force of living in this skin wringing out my organs
Poised articulation from a wit's end, is to break the sound barrier
Exercising a freedom of expression is one giant leap for mankind
Sitting up in bed every morning in the face of a weaponized entropy
Draining you of life, draculean in design, draconian in deployment
An ecosystem with the dermatoglyphs of the devil all over it
The draculin in the mouth that salivates at the destruction of this DNA
The drool of a dog in proportions of dams we can drown in
Genetically, the bone mineral density of black people is higher
Am I a hero for not giving into this sinister sinking feeling?
I stare at my body in the mirror looking for signs of heroism
And look beyond the flesh and into the ark of the covenant
This dwelling place of power, glory, and certain victory
Flattening the tails of scorpions, death has lost its sting
The tabernacle that cannot be allowed to touch the ground
That has a sacred protocol of how to be handled or approached
The moving cloud before me that shows me the way
Withstanding criticism, withholding judgment, with God and is God
A golden courage with the words of Frederick Douglas inscribed on it:
One man and God is a majority, rendering a life lived abidingly, heroic
Monday, 27 January 2025
From A River Dies of Thirst by Mahmoud Darwish
If only the young were trees.
The tree is sister to the tree, or its good neighbour.
The big one is kind to the little one, giving it the shade it needs.
The tall one is kind to the short one, sending it a bird to keep it company at night.
No tree attacks the fruit of another tree, and if one tree is barren the other does not make fun of it.
A tree does not attack another tree and does not imitate a woodcutter.
When a tree becomes a boat, it learns to swim.
When it becomes a door, it continues to keep secrets.
When it becomes a chair, it does not forget the sky that was once above it.
When it becomes a table, it teaches the poet not to be a woodcutter.
The tree is forgiveness and vigilance.
It neither sleeps nor dreams, but is entrusted with the secrets of dreamers,
standing guard night and day, showing respect to passers-by and to the heavens.
The tree is a standing prayer, directing its devotions upwards.
When it bends a little in the storm, it bends majestically, like a nun, looking upwards all the time.
In the past the poet said: 'If only the young were stones.' He should have said: 'If only the young were trees!